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CONFERENCE REGISTRATION OPENS MAY 15 AT 5 PM FOR:
The 46th Annual CCWC Summer Conference
Sunday, August 17 - Friday,
August 22, 2008
Craigville Conference Center
- Cape Cod, Massachusetts
CHANGES ARE ALMOST COMPLETE.
PLEASE PERUSE FOR FEES AND OVERVIEW
OF OFFERINGS
AND RETURN MAY 15, 5 PM FOR FINAL PROGRAM AND OPENING OF CONFERENCE REGISTRATION .
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The Cape Cod Writers' Center, Inc. annual conference
this summer offers eight weeklong workshops on poetry,
historical biography, short story writing, fiction for children, screenwriting, romance, mystery, and memoir.
In the area of publishing,
there is a stellar panel of publishing professionals in a five-hour Master Class on publishing with David F. Godine representing the publisher. This Master Class includes a mock editorial board meeting, and discussions on every aspect of relevance to a writer on seeing a book from manuscript through production.
There is also a three-hour seminar on Demystifying
the Small Literary Press. Other short courses are on column writing, reading your writing to the public, how books become films, and savvy book publicity. For the first time, we are offering a workshop for teens that is NOT A PART OF THE YOUNG WRITERS WORKSHOP. It is for older teens (15 and up), a full-day program held on Friday at Seaside and, unlike the Young Writers tuition-free program, there is a fee. More information below in schedule for short courses.
Also new are complimentary Daily Box Lunch Briefings
for conference registrants, led by faculty and guests.
BYOB (Bring Your Own Box, available through Craigville Conference Center) to the Tabernacle for these 45-minute discussions on writing and publishing. For a sampling, see Jo Ann Ferguson's plans for her briefing at the bottom of the schedule below. Charles Coe, an illustrator/author team, a columnist, and a guest author will conduct the other Daily Lunch Box Briefings.
Conference registrants will
also be invited to attend the faculty reception Sunday at the Wianno Club ($32).
As we prepare for accepting registrations, most faculty bios, photos, and course descriptions are
posted, with more coming. Take a new simplified registration form above,
but don't send it in until after 5 PM on May 15; we are just
giving you a preview to help you with your planning.
There may be adjustments to the schedule before May 15, but it will give you
an overview of the conference program.
| Now
for the BIG news!
Our conference speaker for
Monday evening, August 18 is Newsweek's contributing
editor, ELEANOR CLIFT, speaking on her new
(creative non-fiction) book, Two Weeks
of Life: A Memoir of Love, Death and Politics.
Our Tuesday evening, August 19, speaker is DAVID R. GODINE, founder/owner of David R. Godine, Publisher. David will also represent the publisher on the Master Class panel on publishing, Wednesday, August 20.
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| WHEN: |
At 7 PM
IN THE TABERNACLE |
MONDAY
EVENING,
AUGUST
18,
7 PM
TUESDAY
EVENING, AUGUST 19,
7
PM
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Monday Evening
Speaker:
Eleanor Clift, contributing editor, Newsweek,
and author of
Two Weeks of Life: A Memoir of Love, Death,
and Politics
Tuesday Evening
Speaker:
David R. Godine, founder of David R. Godine,
Publisher
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Tabernacle |
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Wednesday
PART 1
2:30 - 5
Optional
dinner with panel
PART II
6 - 8:30
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PUBLISHING
FROM A PUBLISHER'S POINT OF VIEW, AND
THE ROLE OF THE AUTHOR
Enter the inner
world of publishing in this thorough look
at the business end of writing books.
Our Master Class panel covers all the
publishing functions relevant to writers--
from finding an agent to navigating a
contract to what happens after a publisher
buys your book, including time frames
and what to expect from the editing process,
publicity, marketing, and sales.
This class includes a mock editorial
meeting.
COST: $125
(plus optional dinner)
Master Class Publishing Panel:
Sue Berger
Ramin- David F. Godine, Publisher
Lissa Warren - De Capo Press
Frances Whistler - Editorial Institute
of Boston University
Michelle Lemay - Co-owner, Inkwell Books
David R. Godine - David R. Godine, Publisher
Agent
- TBA |
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| SUE BERGER RAMIN
MASTER
CLASS: PUBLISHING FROM A PUBLISHER'S POINT
OF VIEW, AND THE ROLE OF THE AUTHOR
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BIO:
Sue Berger Ramin works for David Godine,
Publisher in an editorial, marketing
and rights capacity. She acquires
both adult and children's, fiction
and non-fiction books, oversees their
marketing and publicity and sells
subsidiary rights. She was VP Film
& TV Publishing for Penguin Books
for 11 years, opening an office for
Penguin in Los Angeles in 1993. Prior
to that she worked in general trade
publishing in the UK. Sue has served
as co-producer for two movies: The
Gathering Storm (HBO, BBC, 2003),
an award-winning movie starring Albert
Finney and Vanessa Redgrave, and The
Missing, based on the novel,
The Last Ride, by Thomas
Eidson (Sony Pictures, 2003), starring
Cate Blanchett and Tommy Lee Jones.
She wrote a column on film and TV
rights for Publishers Weekly,
scouted for a Japanese literary agency,
sold rights in video games, and has
taught publishing in Emerson's Professional
Studies' Program.
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| FRANCES
WHISTLER
MASTER
CLASS: PUBLISHING FROM A PUBLISHER'S POINT
OF VIEW, AND THE ROLE OF THE AUTHOR

Frances
Whistler |
BIO:
Frances Whistler says that she entered
her first job – as a trainee copy-editor
in Oxford University Press, UK – wondering
what editors really did, given that
authors (surely?) sent in finished typescripts,
and the Production people were obviously
in charge of actually making the books.
What could be the editor’s role? Twenty-some
years later she left Oxford (an older
and wiser woman, she says) for a job
at Boston University as Assistant Director
of the Editorial Institute. There she’s
helping prepare an academic edition
of a nineteenth-century British writer,
J. F. Stephen, and teaching editing
skills to undergraduates and Masters
students.
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LISSA WARREN
MASTER
CLASS: PUBLISHING FROM A PUBLISHER'S POINT
OF VIEW, AND THE ROLE OF THE AUTHOR
Lissa Warren |
BIO:
Lissa Warren has worked at several
Boston publishing houses including
David R. Godine, Houghton Mifflin,
and Perseus Publishing, and is currently
Vice President, Senior Director of
Publicity and Acquiring Editor at
Da Capo Press, a member of the Perseus
Books Group. The author of The
Savvy Author's Guide to Book Publicity
(Carroll & Graf, 2004), she
has spoken about publishing for the
Virginia Festival of the Book, Lesley
University, Publishers Marketing Association,
the American Society of Journalists
and Authors, Publishers Association
of the South, BookBuilders of Boston,
ForeWord magazine, Grub Street, the
New Hampshire Writers’ Project, and
the Adirondack Writer’s Conference,
among others. Since 2003 she has been
an Adjunct Professor at Emerson College—in
their Writing, Literature, and Publishing
program—and she teaches in Boston
University's publishing certificate
program. She’s also on the advisory
council of the M.F.A. writing program
at Southern New Hampshire University.
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MICHELLE LEMAY, CO-OWNER, INKWELL BOOKSTORE
MASTER
CLASS: PUBLISHING FROM A PUBLISHER'S POINT
OF VIEW, AND THE ROLE OF THE AUTHOR
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| Photo
to come
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BIO:
Michelle Lemay,
co-owner and book buyer for Inkwell
Bookstore, has 15 years of book buying
and selling experience. She meets
with over 20 publishing representatives
each year, ordering from hundreds
of literary-related catalogs. Every
facet of book procurement is explored
and utilized at Inkwell, including
self-published books, books on consignment,
used books and sideline vendors. Michelle's
experience as a buyer, marketer, seller
and owner allows her to be a valuable
resource as to what is happening on
the front lines of book selling.
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| WHEN |
TABERNACLE |
MANOR |
LODGE
SUNROOM |
| 8:30
- 10:00 |
Memoir
Anya Achtenberg |
Mystery
Chris Knopf |
Fiction
for Children
Sara Pennypacker |
| 10:10
-11:40 |
Screenwriting
Diane Lake |
Short
Story Writing
Geraldine Mills |
Historical
Biography
Susan Nagel |
| 11:45
-12:40 |
Daily Box Lunch Briefings
with Faculty and Guests in Tabernacle
(for conference registrants only. Sample 45-minute briefing at bottom of this Conference Schedule page)
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| 12:45
- 2:15 |
Writing the Romance
Jo Ann Ferguson |
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Poetry
Daniel Tobin |
| SARA
PENNYPACKER - FICTION FOR CHILDREN
MONDAY,
AUGUST 18 - FRIDAY, AUGUST 22
8:30 - 10:10
Sara Pennypacker |
COURSE
DETAILS:
Today, more than ever, your chance
of having a manuscript accepted depends
on a compelling and polished first
sentence, paragraph, and page. In
this workshop, we will explore many
aspects of writing for children –
voice, dialogue, theme, plot, character
development, point of view, and publishing
– from picture books through mid-grade
novels, paying special attention to
the high-powered lens that is the
beginning of the story. Writing is
writing, but writing for children
demands special skills and considerations:
through discussions, readings and
(only one or two! very short!) in-class
exercises, we will figure out what
works and what doesn’t in children’s
books. Please bring the first few
pages of a manuscript if you have
one; on the final day, each participant
will be able to present their beginning
for group workshopping.
BIO:
Sara Pennypacker is the New York
Times best-selling author of
eight children's books, including
Clementine, The Talented
Clementine, Clementine's
Letter, Stuart's Cape,
Stuart Goes to School, Pierre
In Love and the upcoming Sparrow
Girl. Beginning next year, she
will take over the
Flat Stanley series. Her
books have won numerous awards, including
this year’s Golden Kite Award for
Best Picture Book Text, and have appeared
on many 'Best Books' lists.
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| ANYA
ACHTENBERG - MEMOIR
MONDAY,
AUGUST 18 - FRIDAY, AUGUST 22
8:30 - 10:00
Claiming Our Stories: Working with the Power
of Autobiography and Autobiographical Fiction
Anya Achtenberg |
COURSE DETAILS:
Through a series of grounded discussions,
expansive writing explorations, memory
and sensory exercises, focused and
open-ended freewrites, oral storytelling,
and a look at evocative writers whose
work suggests a spectrum of approaches,
you will draw on what is deepest in
you to write the stories you have
always wanted to write, locate the
narrators of your life, flesh out
some of the other voices that inhabit
your memory and imagination, and find
the structure of your telling. Whether
you are straining to find a way into
your material, or trying to "re-vision"
your work to bring forward its meaning
and thematic coherence, this workshop
can propel your writing forward.
BIO:
Anya Achtenberg's recently
completed novel, More Than The
Wind, was excerpted in Harvard
Review. Her second book of poetry,
The Stone of Language, was
published in 2004 by West End Press.
Her stories have received awards from
Coppola's Zoetrope: All-Story, New
Letters, the Asheville Fiction Writers
Workshop, the Raymond Carver Story
Contest and others. She has taught
creative writing at universities and
colleges, for writers’ organizations,
with drop-out youth, and in public schools.
Visit www.anyaachtenberg.com.
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| CHRIS KNOPF - MYSTERY WRITING
MONDAY, AUGUST 18 - FRIDAY, AUGUST 22
8:30 - 10:00
Chris Knopf |
COURSE
DETAILS:
This course will explore the distinctive
character of the mystery genre – with
its sub-genres, such as the police
procedural, cozies, hardboiled, noir
and thrillers – as a context in which
artful writers apply their craft. The object of the course will be
to help every student move closer
to their individual goals. Thus, there
will be a strong emphasis on the pragmatic
and realistic. This includes improving
writing skills, gaining a better understanding
of what constitutes a successful work,
the importance and interaction of
all narrative elements – plot, characters,
POV, setting, mood, dialogue – and
productive work habits. We will examine a few paragons of
the form, and through discussion,
attempt to understand what qualities
led to that distinction. Students
will have a daily writing exercise,
which will be discussed in class on
a voluntary basis. There will also
be a look into the world of mystery
publishing and how a work moves from
first draft through editorial and
into print, and into the marketing
machine.
BIO:
About Chris Knopf’s Sam Acquillo mysteries:
The New York Times said, “The spare,
emotionally eloquent style of The
Last Refuge gives shapely form to
the story.” Publishers Weekly chose
Two Time as a “Best 100 Books for
2006,” and its starred
review called Head Hounds “exceptional.” Knopf has been a copywriter for 30
years. He has an MA in Creative Writing
and speaks before both marketing and
mystery writer audiences
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GERALDINE MILLS - THE SHORT STORY: ITS BREVITY
AND BRAVURA
MONDAY,
AUGUST 18 - FRIDAY, AUGUST 22
10:10
- 11:40
Geraldine
Mills |
COURSE DETAILS
What
is a short story? What makes it breathe?
What makes it different from mere
anecdote or the novel? Geraldine
Mills will address the basic
difficulties faced by both beginners
and more experienced writers in the
craft of short fiction. It will explore
what is needed to go beyond the first
easy thought in order to turn a moment
into an event. It will discuss
how once started, where you get the
courage to keep going. Classes
will include the basic building blocks
of writing a successful piece of short
fiction, full of skill and daring,
to include: How to draw the reader
in. Whose story is it anyway?
Developing an eye for detail and an
ear for dialogue. Breathing
life into your characters. Who chooses
the ending? Using various prompts
to liberate creativity, each session
will include an in-class exercise,
review of work and examples of the
masters in the genre of the short
story from America and Ireland.
BIO:
Award-winning Irish poet and short story writer Geraldine Mills has published two collections of poetry, ‘Unearthing your Own’ and ‘Toil the Dark Harvest’ and two short story collections called ‘Lick of the Lizard’ and ‘The Weight of Feathers’ (2007). Her monologue ‘This is From the Woman who Does’ premiered at the Provincetown Theatre in 2004. She was the Millennium winner of the Hennessy/Tribune New Irish Writer Award, and was recently awarded a Kavanagh Fellowship.
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DIANE LAKE - SCREENWRITING
MONDAY, AUGUST 18 - FRIDAY, AUGUST 22
10:10 - 11:40
Diane Lake |
COURSE
DETAILS:
The course will cover the basic elements
of writing a screenplay—coming up with
a good idea, creating memorable characters,
putting together an outline/treatment,
and writing good dialogue. In addition,
participants will have the chance to
pitch ideas, write scenes and participate
in group writing activities. Of particular
attention in the course will be how
to write the first 10 pages of a script—as
those are absolutely the 10 most important
pages in any script. Also covered in
the course will be the business of screenwriting—how
to get your work seen, how to find an
agent, as well as what the writer’s
role is during development, pre-production
and production.
BIO:
Diane, a working screenwriter since
1993, has been commissioned to write
films for Columbia, Disney, Miramax,
Paramount and NBC. Diane's film, Frida,
opened the Venice Film Festival in 2002,
was named one of the 10 Best Films of
2002 by numerous top 10 lists, including
the National Board of Review and the
American Film Institute. Frida was also
nominated for 6 Academy Awards in 2003.
Diane is also a screenwriting professor
at Emerson College.
Read more about Diane Lake at DianeLake.com
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| SUSAN
NAGEL - HISTORICAL BIOGRAPHY
MONDAY, AUGUST 18 - FRIDAY, AUGUST 22
10:10 - 11:40
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COURSE DETAILS:
“Every biography is historical. The
biographer acts as a fisherman and an
editor: what will be caught and what
will escape? What will be discarded?
What is the biographer’s agenda? How
have these decisions changed with time?
We will look at primary, secondary,
and tertiary sources and uncover the
hidden agendas behind those writings
to create a “psychograph” of your intended
subject while at the same time placing
him/her in his/her proper cultural,
political, and sociological environment.
We will establish a working methodology,
and discuss varying narrative structures
and tone. Students are urged to come
prepared to discuss a subject they might
consider writing a biography about and
are advised to do their marketing research
ahead of time to ensure that their hero
or heroine has not been too often written
about and/or recently studied. An essential
criterion in getting published is to
make sure that you have something new
to say.”
BIO:
Susan Nagel is the author of the bestselling
books "Marie-Therese, Child
of Terror: The Fate of Marie Antoinette's
Daughter" (Bloomsbury, 2008)
and "Mistress of the Elgin
Marbles: A Biography of Mary Nisbet,
Countess of Elgin" (HarperCollins,
2004). She is also the author of a critically
acclaimed book on the novels of Jean
Giraudoux. Dr. Nagel is a professor
in the humanities department of Marymount
Manhattan College and has written for
the stage, screen, scholarly journals,
Town & Country magazine and Gannett
newspapers. |
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ANN FERGUSON - HOW TO WRITE THE ROMANCE
MONDAY, AUGUST 18 - FRIDAY, AUGUST 22
12:15 - 2:45
Jo Ann
Ferguson |
COURSE
DETAILS:
Did you know that more than 50% of
all paperback books sold are romance
novels? That sales in this genre are
over $1.2 billion annually? To provide
the books that readers are looking
for, publishers are open to first
time authors with wonderful, professionally
written stories. In this course, we’ll
discuss what makes a romance novel
unique and the ingredients you need
to write one and have it published.
We’ll be having discussion and in-class
exercises. So bring your imaginations
and learn how to write the “book of
your heart” which will touch someone
else’s. Students should have read
Kindred Spirits by Jocelyn Kelley
(Signet Eclipse ISBN: 978-0-451-22344-9)
for the session on synopses. Please
bring paper and the writing instrument
of your choice. You may also bring
a laptop for writing exercises. A
sense of humor is always welcome,
too.
BIO:
Award-winning author Jo Ann Ferguson
says she has a split personality. Jo Ann Ferguson
is the author of best-selling historicals
and Regency mysteries. J.A. Ferguson
writes paranormals. Jocelyn Kelley
writes historical romances for Signet.
Jo Ann Brown novelized Thomas
Kinkade’s Home for Christmas,
which stars Peter O’Toole. Her 80+
titles have been translated into a
dozen languages. They’re sold on every
continent except Antarctica. Jo Ann
has taught creative writing for 18
years.
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