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Download 2008 Conference Registration


 

CONFERENCE REGISTRATION OPENS MAY 15 AT 5 PM FOR:

The 46th Annual CCWC Summer Conference

Sunday, August 17 - Friday, August 22, 2008

Craigville Conference Center - Cape Cod, Massachusetts

 

CHANGES ARE ALMOST COMPLETE.


PLEASE PERUSE FOR FEES AND OVERVIEW OF OFFERINGS

AND RETURN MAY 15, 5 PM FOR FINAL PROGRAM AND OPENING OF CONFERENCE REGISTRATION .

 



The Cape Cod Writers' Center, Inc. annual conference this summer offers eight weeklong workshops on poetry, historical biography, short story writing, fiction for children, screenwriting, romance, mystery, and memoir.

In the area of publishing, there is a stellar panel of publishing professionals in a five-hour Master Class on publishing with David F. Godine representing the publisher. This Master Class includes a mock editorial board meeting, and discussions on every aspect of relevance to a writer on seeing a book from manuscript through production.

There is also a three-hour seminar on Demystifying the Small Literary Press. Other short courses are on column writing, reading your writing to the public, how books become films, and savvy book publicity. For the first time, we are offering a workshop for teens that is NOT A PART OF THE YOUNG WRITERS WORKSHOP. It is for older teens (15 and up), a full-day program held on Friday at Seaside and, unlike the Young Writers tuition-free program, there is a fee. More information below in schedule for short courses.

Also new are complimentary Daily Box Lunch Briefings for conference registrants, led by faculty and guests. BYOB (Bring Your Own Box, available through Craigville Conference Center) to the Tabernacle for these 45-minute discussions on writing and publishing. For a sampling, see Jo Ann Ferguson's plans for her briefing at the bottom of the schedule below. Charles Coe, an illustrator/author team, a columnist, and a guest author will conduct the other Daily Lunch Box Briefings.

Conference registrants will also be invited to attend the faculty reception Sunday at the Wianno Club ($32).

As we prepare for accepting registrations, most faculty bios, photos, and course descriptions are posted, with more coming. Take a new simplified registration form above, but don't send it in until after 5 PM on May 15; we are just giving you a preview to help you with your planning. There may be adjustments to the schedule before May 15, but it will give you an overview of the conference program.


Now for the BIG news!

Our conference speaker for Monday evening, August 18 is Newsweek's contributing editor, ELEANOR CLIFT, speaking on her new (creative non-fiction) book, Two Weeks of Life: A Memoir of Love, Death and Politics.

Our Tuesday evening, August 19, speaker is DAVID R. GODINE, founder/owner of David R. Godine, Publisher. David will also represent the publisher on the Master Class panel on publishing, Wednesday, August 20.




WHEN:
                                    At 7 PM                 IN THE TABERNACLE



MONDAY

EVENING,

AUGUST 18,

7 PM

 

TUESDAY EVENING, AUGUST 19,

7 PM

 

 

Monday Evening Speaker:
Eleanor Clift, contributing editor, Newsweek, and author of
Two Weeks of Life: A Memoir of Love, Death, and Politics

 

Tuesday Evening Speaker:
David R. Godine, founder of David R. Godine, Publisher









Wednesday, 2:30 - 8:30

 Tabernacle


Wednesday

PART 1
2:30 - 5

Optional dinner with panel

PART II
6 - 8:30

PUBLISHING FROM A PUBLISHER'S POINT OF VIEW, AND THE ROLE OF THE AUTHOR

Enter the inner world of publishing in this thorough look at the business end of writing books. Our Master Class panel covers all the publishing functions relevant to writers-- from finding an agent to navigating a contract to what happens after a publisher buys your book, including time frames and what to expect from the editing process, publicity, marketing, and sales.

This class includes a mock editorial meeting.

COST: $125
(plus optional dinner)

Master Class Publishing Panel:

Sue Berger Ramin- David F. Godine, Publisher
Lissa Warren - De Capo Press
Frances Whistler - Editorial Institute of Boston University
Michelle Lemay - Co-owner, Inkwell Books
David R. Godine - David R. Godine, Publisher

Agent - TBA






SUE BERGER RAMIN

MASTER CLASS: PUBLISHING FROM A PUBLISHER'S POINT OF VIEW, AND THE ROLE OF THE AUTHOR


BIO:
Sue Berger Ramin works for David Godine, Publisher in an editorial, marketing and rights capacity. She acquires both adult and children's, fiction and non-fiction books, oversees their marketing and publicity and sells subsidiary rights. She was VP Film & TV Publishing for Penguin Books for 11 years, opening an office for Penguin in Los Angeles in 1993. Prior to that she worked in general trade publishing in the UK. Sue has served as co-producer for two movies: The Gathering Storm (HBO, BBC, 2003), an award-winning movie starring Albert Finney and Vanessa Redgrave, and The Missing, based on the novel, The Last Ride, by Thomas Eidson (Sony Pictures, 2003), starring Cate Blanchett and Tommy Lee Jones. She wrote a column on film and TV rights for Publishers Weekly, scouted for a Japanese literary agency, sold rights in video games, and has taught publishing in Emerson's Professional Studies' Program.



FRANCES WHISTLER

MASTER CLASS: PUBLISHING FROM A PUBLISHER'S POINT OF VIEW, AND THE ROLE OF THE AUTHOR



Frances Whistler
BIO:
Frances Whistler says that she entered her first job – as a trainee copy-editor in Oxford University Press, UK – wondering what editors really did, given that authors (surely?) sent in finished typescripts, and the Production people were obviously in charge of actually making the books. What could be the editor’s role? Twenty-some years later she left Oxford (an older and wiser woman, she says) for a job at Boston University as Assistant Director of the Editorial Institute. There she’s helping prepare an academic edition of a nineteenth-century British writer, J. F. Stephen, and teaching editing skills to undergraduates and Masters students.







LISSA WARREN

MASTER CLASS: PUBLISHING FROM A PUBLISHER'S POINT OF VIEW, AND THE ROLE OF THE AUTHOR


Lissa Warren

BIO:
Lissa Warren has worked at several Boston publishing houses including David R. Godine, Houghton Mifflin, and Perseus Publishing, and is currently Vice President, Senior Director of Publicity and Acquiring Editor at Da Capo Press, a member of the Perseus Books Group. The author of The Savvy Author's Guide to Book Publicity (Carroll & Graf, 2004), she has spoken about publishing for the Virginia Festival of the Book, Lesley University, Publishers Marketing Association, the American Society of Journalists and Authors, Publishers Association of the South, BookBuilders of Boston, ForeWord magazine, Grub Street, the New Hampshire Writers’ Project, and the Adirondack Writer’s Conference, among others. Since 2003 she has been an Adjunct Professor at Emerson College—in their Writing, Literature, and Publishing program—and she teaches in Boston University's publishing certificate program. She’s also on the advisory council of the M.F.A. writing program at Southern New Hampshire University.

 



MICHELLE LEMAY, CO-OWNER, INKWELL BOOKSTORE

MASTER CLASS: PUBLISHING FROM A PUBLISHER'S POINT OF VIEW, AND THE ROLE OF THE AUTHOR

   
   
Photo to come

BIO:

Michelle Lemay, co-owner and book buyer for Inkwell Bookstore, has 15 years of book buying and selling experience. She meets with over 20 publishing representatives each year, ordering from hundreds of literary-related catalogs. Every facet of book procurement is explored and utilized at Inkwell, including self-published books, books on consignment, used books and sideline vendors. Michelle's experience as a buyer, marketer, seller and owner allows her to be a valuable resource as to what is happening on the front lines of book selling.

 

 




WHEN
TABERNACLE
MANOR
LODGE SUNROOM
8:30 - 10:00
Memoir
Anya Achtenberg
Mystery
Chris Knopf
Fiction for Children
Sara Pennypacker
10:10 -11:40
Screenwriting
Diane Lake
Short Story Writing
Geraldine Mills
Historical Biography
Susan Nagel
11:45 -12:40

Daily Box Lunch Briefings with Faculty and Guests in Tabernacle

(for conference registrants only. Sample 45-minute briefing at bottom of this Conference Schedule page)

12:45 - 2:15
Writing the Romance
Jo Ann Ferguson


Poetry
Daniel Tobin


SARA PENNYPACKER - FICTION FOR CHILDREN

MONDAY, AUGUST 18 - FRIDAY, AUGUST 22

8:30 - 10:10


Sara Pennypacker

COURSE DETAILS:
Today, more than ever, your chance of having a manuscript accepted depends on a compelling and polished first sentence, paragraph, and page. In this workshop, we will explore many aspects of writing for children – voice, dialogue, theme, plot, character development, point of view, and publishing – from picture books through mid-grade novels, paying special attention to the high-powered lens that is the beginning of the story. Writing is writing, but writing for children demands special skills and considerations: through discussions, readings and (only one or two! very short!) in-class exercises, we will figure out what works and what doesn’t in children’s books. Please bring the first few pages of a manuscript if you have one; on the final day, each participant will be able to present their beginning for group workshopping.

BIO:
Sara Pennypacker is the New York Times best-selling author of eight children's books, including Clementine, The Talented Clementine, Clementine's Letter, Stuart's Cape, Stuart Goes to School, Pierre In Love and the upcoming Sparrow Girl. Beginning next year, she will take over the
Flat Stanley series. Her books have won numerous awards, including this year’s Golden Kite Award for Best Picture Book Text, and have appeared on many 'Best Books' lists.



ANYA ACHTENBERG - MEMOIR
MONDAY, AUGUST 18 - FRIDAY, AUGUST 22

8:30 - 10:00

Claiming Our Stories: Working with the Power of Autobiography and Autobiographical Fiction


Anya Achtenberg

COURSE DETAILS:
Through a series of grounded discussions, expansive writing explorations, memory and sensory exercises, focused and open-ended freewrites, oral storytelling, and a look at evocative writers whose work suggests a spectrum of approaches, you will draw on what is deepest in you to write the stories you have always wanted to write, locate the narrators of your life, flesh out some of the other voices that inhabit your memory and imagination, and find the structure of your telling. Whether you are straining to find a way into your material, or trying to "re-vision" your work to bring forward its meaning and thematic coherence, this workshop can propel your writing forward.

BIO:
Anya Achtenberg's recently completed novel, More Than The Wind, was excerpted in Harvard Review. Her second book of poetry, The Stone of Language, was published in 2004 by West End Press. Her stories have received awards from Coppola's Zoetrope: All-Story, New Letters, the Asheville Fiction Writers Workshop, the Raymond Carver Story Contest and others. She has taught creative writing at universities and colleges, for writers’ organizations, with drop-out youth, and in public schools.

 

Visit www.anyaachtenberg.com.



CHRIS KNOPF - MYSTERY WRITING

MONDAY, AUGUST 18 - FRIDAY, AUGUST 22

8:30 - 10:00


Chris Knopf

COURSE DETAILS:
This course will explore the distinctive character of the mystery genre – with its sub-genres, such as the police procedural, cozies, hardboiled, noir and thrillers – as a context in which artful writers apply their craft. The object of the course will be to help every student move closer to their individual goals. Thus, there will be a strong emphasis on the pragmatic and realistic. This includes improving writing skills, gaining a better understanding of what constitutes a successful work, the importance and interaction of all narrative elements – plot, characters, POV, setting, mood, dialogue – and productive work habits. We will examine a few paragons of the form, and through discussion, attempt to understand what qualities led to that distinction. Students will have a daily writing exercise, which will be discussed in class on a voluntary basis. There will also be a look into the world of mystery publishing and how a work moves from first draft through editorial and into print, and into the marketing machine.

BIO:
About Chris Knopf’s Sam Acquillo mysteries: The New York Times said, “The spare, emotionally eloquent style of The Last Refuge gives shapely form to the story.” Publishers Weekly chose Two Time as a “Best 100 Books for 2006,” and its starred review called Head Hounds “exceptional.” Knopf has been a copywriter for 30 years. He has an MA in Creative Writing and speaks before both marketing and mystery writer audiences




GERALDINE MILLS - THE SHORT STORY: ITS BREVITY AND BRAVURA

MONDAY, AUGUST 18 - FRIDAY, AUGUST 22

10:10 - 11:40


Geraldine Mills

COURSE DETAILS

What is a short story? What makes it breathe?  What makes it different from mere anecdote or the novel?  Geraldine Mills will address the basic difficulties faced by both beginners and more experienced writers in the craft of short fiction. It will explore what is needed to go beyond the first easy thought in order to turn a moment into an event.  It will discuss how once started, where you get the courage to keep going.  Classes will include the basic building blocks of writing a successful piece of short fiction, full of skill and daring, to include: How to draw the reader in. Whose story is it anyway?  Developing an eye for detail and an ear for dialogue.  Breathing life into your characters. Who chooses the ending? Using various prompts to liberate creativity, each session will include an in-class exercise, review of work and examples of the masters in the genre of the short story from America and Ireland.

BIO:

Award-winning Irish poet and short story writer Geraldine Mills has published two collections of poetry, ‘Unearthing your Own’ and ‘Toil the Dark Harvest’ and two short story collections called ‘Lick of the Lizard’ and ‘The Weight of Feathers’ (2007). Her monologue ‘This is From the Woman who Does’ premiered at the Provincetown Theatre in 2004. She was the Millennium winner of the Hennessy/Tribune New Irish Writer Award, and was recently awarded a Kavanagh Fellowship.

 

 




DIANE LAKE - SCREENWRITING

MONDAY, AUGUST 18 - FRIDAY, AUGUST 22

10:10 - 11:40


Diane Lake
COURSE DETAILS:
The course will cover the basic elements of writing a screenplay—coming up with a good idea, creating memorable characters, putting together an outline/treatment, and writing good dialogue. In addition, participants will have the chance to pitch ideas, write scenes and participate in group writing activities. Of particular attention in the course will be how to write the first 10 pages of a script—as those are absolutely the 10 most important pages in any script. Also covered in the course will be the business of screenwriting—how to get your work seen, how to find an agent, as well as what the writer’s role is during development, pre-production and production.

BIO:
Diane, a working screenwriter since 1993, has been commissioned to write films for Columbia, Disney, Miramax, Paramount and NBC. Diane's film, Frida, opened the Venice Film Festival in 2002, was named one of the 10 Best Films of 2002 by numerous top 10 lists, including the National Board of Review and the American Film Institute. Frida was also nominated for 6 Academy Awards in 2003. Diane is also a screenwriting professor at Emerson College.

Read more about Diane Lake at DianeLake.com


SUSAN NAGEL - HISTORICAL BIOGRAPHY

MONDAY, AUGUST 18 - FRIDAY, AUGUST 22

10:10 - 11:40



COURSE DETAILS:
“Every biography is historical. The biographer acts as a fisherman and an editor: what will be caught and what will escape? What will be discarded? What is the biographer’s agenda? How have these decisions changed with time? We will look at primary, secondary, and tertiary sources and uncover the hidden agendas behind those writings to create a “psychograph” of your intended subject while at the same time placing him/her in his/her proper cultural, political, and sociological environment. We will establish a working methodology, and discuss varying narrative structures and tone. Students are urged to come prepared to discuss a subject they might consider writing a biography about and are advised to do their marketing research ahead of time to ensure that their hero or heroine has not been too often written about and/or recently studied. An essential criterion in getting published is to make sure that you have something new to say.”


BIO:
Susan Nagel is the author of the bestselling books "Marie-Therese, Child of Terror: The Fate of Marie Antoinette's Daughter" (Bloomsbury, 2008) and "Mistress of the Elgin Marbles: A Biography of Mary Nisbet, Countess of Elgin" (HarperCollins, 2004). She is also the author of a critically
acclaimed book on the novels of Jean Giraudoux. Dr. Nagel is a professor in the humanities department of Marymount Manhattan College and has written for the stage, screen, scholarly journals, Town & Country magazine and Gannett newspapers.


JO ANN FERGUSON - HOW TO WRITE THE ROMANCE

MONDAY, AUGUST 18 - FRIDAY, AUGUST 22

12:15 - 2:45


Jo Ann Ferguson

COURSE DETAILS:
Did you know that more than 50% of all paperback books sold are romance novels? That sales in this genre are over $1.2 billion annually? To provide the books that readers are looking for, publishers are open to first time authors with wonderful, professionally written stories. In this course, we’ll discuss what makes a romance novel unique and the ingredients you need to write one and have it published. We’ll be having discussion and in-class exercises. So bring your imaginations and learn how to write the “book of your heart” which will touch someone else’s. Students should have read Kindred Spirits by Jocelyn Kelley (Signet Eclipse ISBN: 978-0-451-22344-9) for the session on synopses. Please bring paper and the writing instrument of your choice. You may also bring a laptop for writing exercises. A sense of humor is always welcome, too.

BIO:
Award-winning author Jo Ann Ferguson says she has a split personality. Jo Ann Ferguson is the author of best-selling historicals and Regency mysteries. J.A. Ferguson writes paranormals. Jocelyn Kelley writes historical romances for Signet. Jo Ann Brown novelized Thomas Kinkade’s Home for Christmas, which stars Peter O’Toole. Her 80+ titles have been translated into a dozen languages. They’re sold on every continent except Antarctica. Jo Ann has taught creative writing for 18 years.